Confirmation of the Rule, by Ghirlandaio

This painting in the Sassetti Chapel in Santa Trinita in Florence is a very important and historical one – showing Florence and the Medici Family symbolically replacing Rome as the main City of Culture and Glory at the time!


Confirmation of the Rule, Ghirlandaio 1482-85

Person number two from the right is the Medici Banker and Patron Francesco Sassetti, and number three is Lorenzo Il Magnifico, patron of among others the great Artists Botticelli and Michelangelo. The Painting also portrays the moment in the middle background when the Franciscan Order was confirmed by the Pope Honorius III, in 1223!

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The foundation for Dante – Philosophy, Poetry, History!

New episode out June 5th, at 10am UK time! 😄😄

After the first 3 chapters as a sort of a preamble, the 4th chapter is about the big areas and world of traditions and heritage for Dante – with the Biblical Stories, Greek Philosophy, Literature and Poetry, and History! The Giants who were living before Christ are all gathered here in Limbo as they did not have the opportunity for baptism in their own time. But they are living in brightness and peace in a beautiful palace with natural beauty and flowers.


The Pilgrim with the Poets, and the Castle of Limbo!

Through this fourth chapter Dante the Writer is laying the foundation for the journey and the whole renewal and rebirth of the treasures of the Classical World. And he’s also being a guide for us as readers – as to where to look for these treasures when studying history, literature and philosophy!

The Original Italian version when they see Aristotle has a special emotion in the canto, and also place in the whole Comedy – as the “Master of those who Know”.

vidi ’l maestro di color che sanno
seder tra filosofica famiglia.

Tutti lo miran, tutti onor li fanno:
quivi vid’io Socrate e Platone,
che ’nnanzi a li altri più presso li stanno;

Here is Dorés rendering from a scene in Limbo:


Dante and the Poets in Limbo.

After this canto, the Pilgrim is now better equipped with deep knowledge and inspiration, to embark on the rest of the at times hard and difficult journey towards Happiness!

Thanks for listening,
and enjoy!

😀

 

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Acheron, and the meaning of Charon

Today’s episode on chapter 3 is a deeply psychological one, as the Journey begins as a threshold border which also functions as a process through the whole chapter. It starts on the first line, and ends on the last one.

Through this Dante is uniting the conceptions of Hell and the Underworld in the Jewish and Greek Traditions, opening with the Divine Justice that functions more like the neutral consequences of reality, how different types of behavior will lead to different types of outcomes in life. The Pilgrim is balking slightly at the harshness of this, at first refusing to accept these dynamics. Thereby also showing the natural instincts towards denying aspects of reality, even if they are important to acknowledge to begin the path to a better life and also happiness!

One thing that stands out in the chapter is the brief conversation with Charon, the Boatman, who tells Dante to leave as he is still among the living. This could be seen as the instincts of our sinful nature which could try to block the longer path towards a good life. In the story Virgil, here partly as Dante’s own Reason, resolves the situation by simply pointing to the overall goal of the Journey – which takes presedence over the in-the-moment emotional and instinctual reactions.


Charon, bringing the souls into the Underworld.

Overall the third chapter is also a thick marker as the end of the introduction of the whole Comedy, signified by Dante’s fainting as into a sleep in the last few lines. As readers we can now take a deep breath, and digest all the events since the opening in the Dark Forest. The necessity, preparation and ultimate goal are all in place. And thus the Rationality can guide and protect us –  and the Pilgrim – through the approaching horrors of the Underworld.

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New Inferno Series! 🎉☀️🔥🔥

Tomorrow May 28th 2020 at 10am UK time, we’ll launch the new Dante series with the Journey through Inferno! Just $2 pr. month, at http://patreon.com/ancientworld!


New series from the beginning of the Divine Comedy!

We’ll have 10-15 minute long episodes for each chapter, and mainly focus on the bigger picture and context of the whole Comedy, while looking at specific highlights from each canto as well as the “plot” as the story evolves. Major themes will be the poetic beauty and allegorical wisdom, and the several layers of meaning and interpretation of the whole work.

Continue reading

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The Seven Councils

In the Orthodox Christian Faith the Seven Ecumenical Councils of the Byzantine period are still of great importance as the foundation for theological debates about the contemporary times.

The first Council was held in Nicea in 325 AD, led by Emperor Constantine who had just moved the Capital of the Roman Empire to Byzantium, and renamed it Constantinople (though not yet officially inaugurated). Main areas of discussions were the Nature of Christ, the Trinity, and the organization of the Church.

The Seven Councils were:
Nicea  325 (Established Rome, Alexandria and Antioch as main centers.)
Constantinople 381 (Constantinople was designated a new center, put on second place.)
Ephesus in 431
Chalcedon in 451
Constantinople 553
Constantinople 680-81
Nicea 787 (Proclaimed Icons to be venerated and kept in Churches)

Of important influence or present in the Second Council were St. Athanasius and the Cappadocian Fathers with Gregory of Nyssa, Gregory of Nazianzus, and Basil the Great.

This “second period” of the Orthodox Church, which started with Nicea in 325, ended in 843 with the “Triumph of Orthodoxy” when Empress Theodora ended an ongoing conflict started in 815 by Leo V the Armenian, and permanently reinstated icons in the Churches.

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Assisi

One of the most beautiful towns and churches in Italy – Assisi in Umbria!

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Good morning!

A new sunny day – great coffee ☕️☀️, and likely another walk to a nearby hill today! And we just wrote a brief intro to the levels of dionysius here: Nine Levels of Angels, by Dionysius

Have a great morning!
😀

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Dante Anniversary, 2021!

Next year is the 700th year marking of Dante’s passing away, in Ravenna in 1321, only a few months after he completed the Paradiso and the trilogy of the The Divine Comedy! And the national celebration in Italy will be centered in – yep – Ravenna!


Dante’s Tomb in beautiful Ravenna..

More info is here! http://www.dante2021.it/

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Dante on Structure as essential element of Thought.

One of the main and interesting discoveries in Dante’s Comedy is how essential the faculty of structure is in his storytelling, cosmology, theology, philosophy and in the nature of thinking in itself. This at times feels very much like an adoption and tribute to the basic approach of Aristotle – that thinking needs to contain several different elements in a well balanced composition adapted to the subject matter one is thinking about. But Dante is inserting structure deliberately at several emotional and close to ecstatic moments in the Comedy as a reminder of the necessity of this – to achieve clear and profound insights.

After reading about 60-70 cantos, this rhythm and pattern becomes well established as a habit and underlines a basic claim: that reason should never be excluded from an overall assessment of a topic, concept, emotion or even spiritual experience. One of his explicit statements on this is in Canto 18 of Purgatory, on the Terrace of the Slothful:

you have the innate faculty of reason,
which should defend the threshold of consent.

As a tool and guiding principle in exploring the intellectual and spiritual realms – this is at times a surprising discovery. But it does unite the whole of experience, in a harmony. It provides a foundation from which to explore the world. And perhaps that partly also laid the groundwork too, for the earliest beginnings – of the new and at the time slowly emerging, Great Florentine Renaissance.

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Purgatory & Paradise – a Reading of Dante.

After 16 months of deep studies and podcasting of Dante’s Paradise and Purgatory, it’s hard to remember exactly how several aspects of philosophy and theology used to be experienced by the mind before we started the whole journey. The learning has in itself created a change and expansion that is hard to grasp fully, yet. Maybe it’s even a transformation, in parts.

Once the deeper symbolic reading becomes natural and gradually more automatic, the inner landscape of experience is changed almost permanently it seems. One still retains the original way of reading, but that becomes more like one part of something much bigger, that changes the nature of the original boundaries. The relationship to the story in itself becomes increasingly altered in deep and only partly conscious ways – though some of it is clearly felt without an easy way of articulating exactly how.

Maybe some of what Dante is doing is providing a deeper spiritual nutrition in poetic form, that stimulates and grows part of the unconscious mind through the embedded wisdom and beauty in his poetry. One item after another is examined and elaborated, as we go through the journey. And then afterwards, the world looks and feels different. There is more deep and substance everywhere!

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