The beauty and renewal, of Purgatory.

Here are some thoughts and meditations on the opening from “For better waters, now..”

Enjoy! πŸ˜€

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A Poem of Growth and Rebirth!

As we opened the second Volume of the Comedy this afternoon, the opening verses felt once again breath-taking in their beauty and their immediate shift of atmosphere and outlook towards the sunny and fertile journey through Purgatory:

For better waters, now, the little bark
of my poetic powers hoists its sails,
and leaves behind chat cruelest of the seas.

And I shall sing about that second realm
where man’s soul goes to purify itself
and become worthy to ascend to Heaven.

Then we have the invocation of Calliope, the leader of the Muses, and the Muse of Epic Poetry.

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Sphere of Mars

We just published a new episode on Mars! This is the Sphere of the Warriors who died for their Faith, and where Dante meets his ancestry and learns about his fate in life – with both the Exile and the writing of the Comedy.

The episode is here!
https://www.patreon.com/posts/sphere-of-mars-42845549

Enjoy!
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New Podcasts, and Seminars!

Good morning! β˜€οΈ

Just a couple of updates – after four great group meetings on the opening/lift-off, and the first three spheres in Paradise, we’re now making new Podcast Episodes on the spheres from the Sun and upwards on the $2 tier here!
https://patreon.com/ancientworld

And aiming for monthly seminars, more info here!
https://ancientworld.website/seminars

Have a great week!
πŸ˜€

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Sphere of Mercury

We’re testing new types of formats on our website podcast – here is a 20 min exploratory talk about the entrance to the Sphere of Mercury in Dante’s Paradise!

Enjoy! πŸ˜€

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As Light into Water, Experiencing Differently.

When the Pilgrim (also meaning us) reaches the Moon there are two major points being illustrated at once – an opening to detect your own thinking and experiencing differently, and a symbolic way of understanding an important aspect of the Cosmos and nature of the deep Essences, being blended and spread down through the spheres of Heaven. So after the blistering opening of “taking off” from the Earthly Life with Beatrice (Theology) – Dante is addressing both the psychology, and the larger substance of the World we are entering and starting to move deeper into.

The thinking part is illustrated by a paradox, that the Pilgrim is finding himself enveloped in a cloud as “brilliant, hard, and polished as a diamond struck by a ray of sunlight”. So this is how he’s describing entering into the bright Moon, the “celestial pearl”, which is “receiving us as water takes in light”. And it opens a mental space of experience for us that could seem contradictory, but there is also an allusion to understanding a sort of unity or unification of two natures into one – as well as gradually accepting that in this book, not everything will be rationally graspable in the sense we might be used to. It is a kind of giving a soft example of something to accept – and then be willing to enjoy the book even if the Left Hemisphere cannot comprehend everything. And therein lies a key element of the Journey into Paradise.

The second part is a more concrete explanation of the Medieval cosmology, and how the variety of light from the Moon is showing the blend of different Divine Essences coming from the Primo Mobile, filtered through the Fixed Stars, and then shining down into the spheres. There’s a great point here in showing us a beautiful image of the one-and-many being unified into one, with a visual image that we can see most nights if we just look out the window and up towards the stars.

Overall there is an allegorical technique here of showing us the first few steps of exploring inwards into the more spiritual worlds within ourselves. Once we focus on our own “Beatrice” and look towards the light, things might happen very quickly, and there will be strange things as well. Which is why Dante is careful with warning us; Do not embark on this Journey if you are not yet ready, Intellectually and Spiritually. And once we are, we can safely follow Dante’s “ship” in our little boats – with the guidance of Minerva (wisdom), Apollo (Poetry), and the Nine Muses of Inspiration.

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Notes from Opening The Paradiso, the Second Time!

The saying goes that after reading the whole Divine Comedy by Dante, one is ready to start reading the Divine Comedy – so now we’re starting our second Journey through Paradiso, and we’ll write about the new discoveries and greatest highlights on the way!

First thing that is striking is how well Dante is summing up the whole book in the opening tercet, in three small lines. He sets the tone and describes his view and experience of the Divine, and unites the Biblical Stories and Aristotelian Metaphysics with the words “The Glory” (First word) and “the One Who moves all things” (Aristotle’s concept of God: the First Mover). And he invokes the light that is spread out to various degrees throughout the whole of the Cosmos and Creation, as well as the concept of Reflection.

Other things that stand out is how quickly and beautifully Dante is moving us into the experience of the Right Brain Hemisphere, invoking a more bright and unstructured sense of orientation, and his feeling of being “transhumanized” – moving us beyond the natural concept of a person, blurring the boundaries with the mystic and the transcendent.

When he looks at Beatrice and she has her eyes raised towards the sun, this could also be symbolically read as the Pilgrim focusing his mind on Theology as a world or a portal, which is directed to the source of the Light and the Divine. And when this leads the Pilgrim to start staring straight at the Sun, imitating Beatrice, there is a sense of him finding a way and learning, how to guide his own inner attention towards the center and source of Divinity within himself. And already at this point Dante is pointing out that he stares “into the Sun as no man could”, as he now has purified his soul and can start the Ascent towards the Empyrean.

This also emulates and shows us a path as a reader, by example. And as we get to know and understand Beatrice better, our own capacity to explore this experience within ourselves will be growing – which Dante is encouraging throughout the whole book, through the reactions and support from the souls we are meeting.

The first chapter ends beautifully as well – with Beatrice once again turning her gaze “up toward the heavens”, pointing out the way, the direction, the destination, and the recurring theme of growing and moving gradually towards the Light.

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We’d also like to invite you to our community forum for discussions on the Paradise – we’d love to see you there! https://discord.gg/4pxNQN9

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Lyceum, Monday 17th of August!

Good morning!! β˜€οΈπŸŒ‡β˜•οΈ

In today’s short nature walk we’re talking about the Convivio, and how it is compared to Vita Nuova and the Divine Comedy. The quote above Love is this:

“Love, taken in its true sense and subtly considered, is nothing but the spiritual union of the soul and the thing which is loved.” – Convivio Book 3, chapter 2.

Enjoy! πŸ˜€

 

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Convivio – The Banquet of Knowledge!

Good morning! πŸŒ‡β˜•οΈ

New week – new book 😊And we’re still expanding the context of understanding Dante’s Divine Comedy more fully with another look at his younger works and life. And after Dante’s first youthful work of “Vita Nuova” around 30 years old, about his Love Poems for Beatrice in his early and mid-20s, he then wrote a book about Philosophy when he was around 40 years old – heavily drawing upon the way of thinking and substance of the Greek philosopher Aristotle. Dante planned for 14 books/chapters, but finished after only four. And this book is called the “Convivio” – a “Banquet” of Knowledge and Philosophy!

In the opening Dante quotes Aristotle’s Book of Metaphysics directly with the words: “All men by nature desire to know”. The outline is the following:

– Knowledge is the ultimate perfection of the soul, which leads to ultimate happiness.
– People could be restrained from this pursuit by factors inside, or outside of themselves

Of the inside factors there are two main groups – relating to the soul or to the body. For the body there could be various dispositions, for the soul the problem is the victory of malice and damaging pleasures, which lessens the worth of all things. Of the outside factors there could be responsibilities with family and civic duties – which Dante suggests is the vast majority of people. Or there could be the lack of available resources for study in one’s environment (learned people or facilities).

The opening then concludes that there are very few that have the opportunity (and blessing) to pursue this quest for knowledge! “Oh beati quelli pochi che seggiono a quella mensa dove lo pane de li angeli si manuca!” – meaning “Oh blessed are the few who can sit at the table where one eats of the bread of the Angels”.

 

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Reading Guide to Dante’s Inferno Chap 18-34

Sometimes it’s a bit of a challenge to keep going in the Inferno once you have reached half way into the book, and the fast pace slows down a bit after the first seven circles. So here’s a little guide to point out some highlights from chapter 18, and the second half of the story!

The main points to notice is how Circle 8 is in many ways a psychological description of the Nature of Fraud within you. In the middle there is the Heart of Fraud swarming with Demons, and we see a momentous change in the relationship between the Pilgrim and Virgil as a symbol of using Reason as the sole Guide in these areas of life and in some sense the moral realms.

Towards the end of Circle 8 there is a defining story about Ulysses and his failed Journey towards Knowledge, in many ways contrasting the Journey of the Pilgrim and indirectly paralleling the whole trilogy of the Divine Comedy on a conceptual level. This story makes for one of the deepest arguments in Dante’s life-work, that a quest for understanding can never become complete within the boundaries of the rational intellectual life alone, but must include an openness to larger forms of knowledge only accessible through other sources like the intuitions, allegory, instinct, imagination, Faith and a belief in something much bigger beyond ourselves.

Circle 8 also culminates in a deterioration of illness, disease and insanity – as the logical end point of Fraud as a destructive force and its effects on the inner psyche and symbolically also at the community level and beyond. One might read into Dante’s view a parallel to the city of Florence as well, or the state of the contemporary Church in Rome.

After these 13 chapters with at times lengthy descriptions of circle 8 and references to historical people, which can be skimmed in part – to avoid a full stop which sometimes happens – things speed up a lot again in chapter 31 with the transition to circle 9, and then the last three chapters go very quickly into the center and the climax with meeting Lucifer in the Ice.

The transition with the Well as a portal into circle 9 is important as the Giants and Greek Titans represent what leads to the deepest of evil; the combination of Intelligence, Strength, and the Evil Intent. This is the wrong-doings of the Giants, and also what metaphorically brings us further to the deepest source of the sins, to Pride, and to Lucifer himself (who first was a Cherubim in the Heavens, symbolic of Streams of Knowledge and the spiritual beings that guard the Ark and the Garden of Eden.) Dante is showing us that entering the combination of these three elements psychologically – is the pathway to the darkest center.

The last 3 chapters in circle 9 on the ice of Cocytus is a fast read and packed with symbolic meaning, and a wonderful ending which is largely a sort of an emotional catharsis – implying among other things how once the root of a problem is revealed and “gone through”, it is already behind us in some sense, and the process of healing and renewal can begin, almost instantly.

So in short; the main obstacle in reading the first book of the Comedy is often the repetitiveness of Circle 8 and the ten valleys which could have the feeling of just one more and one more and one more, but keeping in mind that the middle and the ending are the key symbolic passages to understand, it’s ok to read more lightly until chap 26 with Ulysses, and then notice the allegory of diseases in chap 28-30.

And once the final verses of the book are reached, other things become more clear too – about the Journey through the Underworld, and a different feeling of being ready to start the climb further through Knowledge, Mount Purgatory, and then the final Ascent into the spheres of Heaven.

Hope this helps, and happy reading!

πŸ˜€

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