After the channel to God opens, it finally happens: Beatrice emerges out of the chariot, in a rain of flowers and with the angels singing with blessings.
The key here is very simple: Love is the deeper reality of God, and the deeper animating principle. That is what “Beatrice” shows here – and why she is coming out from the chariot. We’ve reached the deepest layer, and the revelation is this: the chariot as foundational principle of a churning unity of two asymmetrical dimensions is essential, but it’s not enough. The life, the move, the energy, is Love – as God.