New Podcasts, and Seminars!

Good morning! ☀️

Just a couple of updates – after four great group meetings on the opening/lift-off, and the first three spheres in Paradise, we’re now making new Podcast Episodes on the spheres from the Sun and upwards on the $2 tier here!
https://patreon.com/ancientworld

And aiming for monthly seminars, more info here!
https://ancientworld.website/seminars

Have a great week!
😀

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Sphere of Mercury

We’re testing new types of formats on our website podcast – here is a 20 min exploratory talk about the entrance to the Sphere of Mercury in Dante’s Paradise!

Enjoy! 😀

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As Light into Water, Experiencing Differently.

When the Pilgrim (also meaning us) reaches the Moon there are two major points being illustrated at once – an opening to detect your own thinking and experiencing differently, and a symbolic way of understanding an important aspect of the Cosmos and nature of the deep Essences, being blended and spread down through the spheres of Heaven. So after the blistering opening of “taking off” from the Earthly Life with Beatrice (Theology) – Dante is addressing both the psychology, and the larger substance of the World we are entering and starting to move deeper into.

The thinking part is illustrated by a paradox, that the Pilgrim is finding himself enveloped in a cloud as “brilliant, hard, and polished as a diamond struck by a ray of sunlight”. So this is how he’s describing entering into the bright Moon, the “celestial pearl”, which is “receiving us as water takes in light”. And it opens a mental space of experience for us that could seem contradictory, but there is also an allusion to understanding a sort of unity or unification of two natures into one – as well as gradually accepting that in this book, not everything will be rationally graspable in the sense we might be used to. It is a kind of giving a soft example of something to accept – and then be willing to enjoy the book even if the Left Hemisphere cannot comprehend everything. And therein lies a key element of the Journey into Paradise.

The second part is a more concrete explanation of the Medieval cosmology, and how the variety of light from the Moon is showing the blend of different Divine Essences coming from the Primo Mobile, filtered through the Fixed Stars, and then shining down into the spheres. There’s a great point here in showing us a beautiful image of the one-and-many being unified into one, with a visual image that we can see most nights if we just look out the window and up towards the stars.

Overall there is an allegorical technique here of showing us the first few steps of exploring inwards into the more spiritual worlds within ourselves. Once we focus on our own “Beatrice” and look towards the light, things might happen very quickly, and there will be strange things as well. Which is why Dante is careful with warning us; Do not embark on this Journey if you are not yet ready, Intellectually and Spiritually. And once we are, we can safely follow Dante’s “ship” in our little boats – with the guidance of Minerva (wisdom), Apollo (Poetry), and the Nine Muses of Inspiration.

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Notes from Opening The Paradiso, the Second Time!

The saying goes that after reading the whole Divine Comedy by Dante, one is ready to start reading the Divine Comedy – so now we’re starting our second Journey through Paradiso, and we’ll write about the new discoveries and greatest highlights on the way!

First thing that is striking is how well Dante is summing up the whole book in the opening tercet, in three small lines. He sets the tone and describes his view and experience of the Divine, and unites the Biblical Stories and Aristotelian Metaphysics with the words “The Glory” (First word) and “the One Who moves all things” (Aristotle’s concept of God: the First Mover). And he invokes the light that is spread out to various degrees throughout the whole of the Cosmos and Creation, as well as the concept of Reflection.

Other things that stand out is how quickly and beautifully Dante is moving us into the experience of the Right Brain Hemisphere, invoking a more bright and unstructured sense of orientation, and his feeling of being “transhumanized” – moving us beyond the natural concept of a person, blurring the boundaries with the mystic and the transcendent.

When he looks at Beatrice and she has her eyes raised towards the sun, this could also be symbolically read as the Pilgrim focusing his mind on Theology as a world or a portal, which is directed to the source of the Light and the Divine. And when this leads the Pilgrim to start staring straight at the Sun, imitating Beatrice, there is a sense of him finding a way and learning, how to guide his own inner attention towards the center and source of Divinity within himself. And already at this point Dante is pointing out that he stares “into the Sun as no man could”, as he now has purified his soul and can start the Ascent towards the Empyrean.

This also emulates and shows us a path as a reader, by example. And as we get to know and understand Beatrice better, our own capacity to explore this experience within ourselves will be growing – which Dante is encouraging throughout the whole book, through the reactions and support from the souls we are meeting.

The first chapter ends beautifully as well – with Beatrice once again turning her gaze “up toward the heavens”, pointing out the way, the direction, the destination, and the recurring theme of growing and moving gradually towards the Light.

..

We’d also like to invite you to our community forum for discussions on the Paradise – we’d love to see you there! https://discord.gg/4pxNQN9

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Lyceum, Monday 17th of August!

Good morning!! ☀️🌇☕️

In today’s short nature walk we’re talking about the Convivio, and how it is compared to Vita Nuova and the Divine Comedy. The quote above Love is this:

“Love, taken in its true sense and subtly considered, is nothing but the spiritual union of the soul and the thing which is loved.” – Convivio Book 3, chapter 2.

Enjoy! 😀

 

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Convivio – The Banquet of Knowledge!

Good morning! 🌇☕️

New week – new book 😊And we’re still expanding the context of understanding Dante’s Divine Comedy more fully with another look at his younger works and life. And after Dante’s first youthful work of “Vita Nuova” around 30 years old, about his Love Poems for Beatrice in his early and mid-20s, he then wrote a book about Philosophy when he was around 40 years old – heavily drawing upon the way of thinking and substance of the Greek philosopher Aristotle. Dante planned for 14 books/chapters, but finished after only four. And this book is called the “Convivio” – a “Banquet” of Knowledge and Philosophy!

In the opening Dante quotes Aristotle’s Book of Metaphysics directly with the words: “All men by nature desire to know”. The outline is the following:

– Knowledge is the ultimate perfection of the soul, which leads to ultimate happiness.
– People could be restrained from this pursuit by factors inside, or outside of themselves

Of the inside factors there are two main groups – relating to the soul or to the body. For the body there could be various dispositions, for the soul the problem is the victory of malice and damaging pleasures, which lessens the worth of all things. Of the outside factors there could be responsibilities with family and civic duties – which Dante suggests is the vast majority of people. Or there could be the lack of available resources for study in one’s environment (learned people or facilities).

The opening then concludes that there are very few that have the opportunity (and blessing) to pursue this quest for knowledge! “Oh beati quelli pochi che seggiono a quella mensa dove lo pane de li angeli si manuca!” – meaning “Oh blessed are the few who can sit at the table where one eats of the bread of the Angels”.

 

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Reading Guide to Dante’s Inferno Chap 18-34

Sometimes it’s a bit of a challenge to keep going in the Inferno once you have reached half way into the book, and the fast pace slows down a bit after the first seven circles. So here’s a little guide to point out some highlights from chapter 18, and the second half of the story!

The main points to notice is how Circle 8 is in many ways a psychological description of the Nature of Fraud within you. In the middle there is the Heart of Fraud swarming with Demons, and we see a momentous change in the relationship between the Pilgrim and Virgil as a symbol of using Reason as the sole Guide in these areas of life and in some sense the moral realms.

Towards the end of Circle 8 there is a defining story about Ulysses and his failed Journey towards Knowledge, in many ways contrasting the Journey of the Pilgrim and indirectly paralleling the whole trilogy of the Divine Comedy on a conceptual level. This story makes for one of the deepest arguments in Dante’s life-work, that a quest for understanding can never become complete within the boundaries of the rational intellectual life alone, but must include an openness to larger forms of knowledge only accessible through other sources like the intuitions, allegory, instinct, imagination, Faith and a belief in something much bigger beyond ourselves.

Circle 8 also culminates in a deterioration of illness, disease and insanity – as the logical end point of Fraud as a destructive force and its effects on the inner psyche and symbolically also at the community level and beyond. One might read into Dante’s view a parallel to the city of Florence as well, or the state of the contemporary Church in Rome.

After these 13 chapters with at times lengthy descriptions of circle 8 and references to historical people, which can be skimmed in part – to avoid a full stop which sometimes happens – things speed up a lot again in chapter 31 with the transition to circle 9, and then the last three chapters go very quickly into the center and the climax with meeting Lucifer in the Ice.

The transition with the Well as a portal into circle 9 is important as the Giants and Greek Titans represent what leads to the deepest of evil; the combination of Intelligence, Strength, and the Evil Intent. This is the wrong-doings of the Giants, and also what metaphorically brings us further to the deepest source of the sins, to Pride, and to Lucifer himself (who first was a Cherubim in the Heavens, symbolic of Streams of Knowledge and the spiritual beings that guard the Ark and the Garden of Eden.) Dante is showing us that entering the combination of these three elements psychologically – is the pathway to the darkest center.

The last 3 chapters in circle 9 on the ice of Cocytus is a fast read and packed with symbolic meaning, and a wonderful ending which is largely a sort of an emotional catharsis – implying among other things how once the root of a problem is revealed and “gone through”, it is already behind us in some sense, and the process of healing and renewal can begin, almost instantly.

So in short; the main obstacle in reading the first book of the Comedy is often the repetitiveness of Circle 8 and the ten valleys which could have the feeling of just one more and one more and one more, but keeping in mind that the middle and the ending are the key symbolic passages to understand, it’s ok to read more lightly until chap 26 with Ulysses, and then notice the allegory of diseases in chap 28-30.

And once the final verses of the book are reached, other things become more clear too – about the Journey through the Underworld, and a different feeling of being ready to start the climb further through Knowledge, Mount Purgatory, and then the final Ascent into the spheres of Heaven.

Hope this helps, and happy reading!

😀

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Vita Nuova – Poems

After Dante wrote the famous Poem called “Ladies who have intelligence of love”/”Donne ch’avete intelletto d’amore” – which he is also referencing in the Purgatory XXIV:

But, tell me, do I not see standing here
him who brought forth the new poems that begin:
‘Ladies who have intelligence of Love’.

Ma dì s’i’ veggio qui colui che fore
trasse le nove rime, cominciando
‘Donne ch’avete intelletto d’amore’».

he writes a little Sonnett about the Nature of Love, beginning “Love and the Gracious heart”

Love and the gracious heart are a single thing,
as Guinizelli tells us in his poem:
one can no more be without the other
than can the reasoning mind without its reason.
Nature, when in a loving mood, creates them:
Love to be king, the heart to be his home,

a place for Love to rest while he is sleeping,
perhaps for just a while, or for much longer.

And then the beauty of a virtuous lady
appears, to please the eyes, and in the heart
desire for the pleasing thing is born;

and this desire may linger in the heart
until Love’s spirit is aroused from sleep.
A man of worth has the same effect on ladies.

This poem is very interesting for many reasons, both for the references to his contemporary friend Guinizelli, and to see the early versions of Dante’s technique of blending structured intellectual thought with deeply emotional and beautiful themes of Life. He wants here to make the distinctions between Love and the Heart, but also how they can be the same thing – once Love is awaken from a short, or maybe a much longer, sleep. And he points out the transition from initial desire to a much deeper form of Love, as the sleeping Love’s Spirit is brought back to life.

Enjoy! 😀

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Weekend Updates!

Goooood morning!!😊🌇☕️☕️

It’s been a great week on many fronts here, both with receiving a super beautiful new paperback of “The Portable Dante” from Penguin – and for many other projects too! Here is the moment of unboxing the book from Amazon 😀

https://www.youtube.com/watch?v=4YmexWQxEAE&feature=youtu.be

And for other great updates: Mythos & Logos is now at 494 subscribers, maybe hitting the milestone of 500 already this weekend!! 🎇🎇🔥

A friend in London is also starting teaching a new 4-week course in Aristotle, Virtues and the Good Life next Tuesday Aug 11th at 7.30pm BST – here! 😀 Everything on Zoom, highly recommended!
https://thefintrytrust.org.uk/events/the-principles-of-a-good-life-aristotle-on-virtue

And finally; for a bit more input on the Intellectual Virtues – as Character Traits seen to be Desirable, this video from Dan Sheffler is excellent:

Quick reminder;

Next weekend is the Dante Seminar to discuss the second half of Inferno, everyone supporting the Podcast is very welcome to join in! Saturday 15th at 5pm BST.

Have a great weekend!

🏞☀️☀️☕️

😀

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Morning Show, August 5th!

Good morning! 🌇☀️☕️

We’re back with a little Morning Show, an indoor-Lyceum as the weather is cold, rainy and stormy today!

Main topics today is Dante’s Vita Nuova, the latest video from Mythos & Logos, updates on the Website (especially comments features!), and a “Portable Dante” on its way in the mail – for future episodes on selected parts and tercets in the whole Comedy!

And a special thanks to DT Sheffler and Kravarnik for super interesting commentary in the last couple of weeks!

Enjoy! 😀

 

And let’s get Sean to 500 subscribers!
https://www.youtube.com/channel/UCtaVPKsU8LLv7ZvXgGez4XQ

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Dante’s Vita Nuova!

After a full year of podcasting the Divine Comedy, we’ve now started on an earlier work of Dante – the “Vita Nuova” (New Life/Young Life)!

And in the very opening chapters – Dante is describing the vision that came to him as an 18 year old after seeing his love Beatrice for the second time “along a certain street”, all dressed in the purest white, when she turns her eyes to him and greets him “miraculously”.

This vision is super important as it in many ways inspires the life work of Dante and main themes and aspirations for the whole Divine Comedy. After the greeting Dante becomes ecstatic and goes home to his room and falls into a sweet sleep. Later he writes the following poem to describe his vision in the dream:

To every captive soul and loving heart
to whom these words I have composed are sent
for your elucidation in reply,
greetings I bring for your sweet lord’s sake, Love.
The first three hours, the hours of the time
of shining stars, were coming to an end,
when suddenly Love appeared before me
(to remember how he really was appalls me).

Joyous, Love seemed to me, holding my heart
within his hand, and in his arms he had
my lady, loosely wrapped in folds, asleep.
He woke her then, and gently fed to her
the burning heart; she ate it, terrified.
And then I saw him disappear in tears.

Dante then sent the poem to several of his friends for interpretations!

The Vita Nuova was written about ten years after this episode, somewhere between 1292 and 1300, between Dante’s 27th and 35th year.

Have a great day!
😀

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Lyceum, July 29th

Today the topics of our Nature Ramblings are all from the Book of Purgatory – about the Mercy of the Divine, bridging Science and Reason with the Spiritual, and the massive arrival of Beatrice in chapter 30, which is also Canto 64 in the Divine Comedy. 63 cantos are before her, 36 cantos are after that point – with Theology as the guiding principle for learning and growing!

Enjoy! 😀

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Cosmos and Logos

When I was a child I used to tell people that I wanted to be a cosmologist, but they frequently took me to be saying “cosmetologist.” The link between such disparate fields as astrophysics and hairdressing only became clear when I took Greek as a college student and learned that the verb κοσμεῖν means “to arrange.” It applies to the person arranging hair and makeup and to the Demiurge arranging the stars in the heavens. In both cases specific parts are given order in relation to one another in such a way that they form a beautiful whole.

Hence, κόσμος is frequently translated as “arrangement,” and we may gain an insight into the inner logic of this simple word by contrasting arrangements with aggregates. An aggregate is a mere collection of different objects without necessarily involving any relation, ordering, or harmony between them. For example we can consider the set: (i) the eggs I had for breakfast, (ii) the planet Venus, (iii) the Magna Carta, (iv) all the hydrogen in Aldebaran, and (v) the third episode of I Love Lucy. If you work at it, you will certainly be able to find relations and commonalities between these items because it is a truism that all beings are related to one another in some way or other. But such post hoc discoveries will hardly justify this selection as opposed to very many others.

Compare this aggregate with the arrangement of elements in an icon: the eyes, the hand gesture of blessing, the halo, the book of the gospel, the buildings in the background. Each of these elements exists in rich relation to the other elements and together form a coherent composition. The icon is a cosmos.

We can take this a step further by stealing an insight from Aristotle. A part only exists as a part in relation to the whole. Hence, the whole has a certain ontological priority over its parts (insofar as they are parts). The eyes of this icon that I look into only are what they are—the eyes of this icon—set within the arrangement of face and hands and halo. While someone may for some reason paint an exact copy of these eyes by themselves, they would no longer have the same meaning, the same essence. Indeed, it would be hard not to see such isolated eyes as the eyes of a missing face.

Likewise someone who sees the universe as cosmos will see the Sun as existing in meaningful relation to the Earth and the Earth in meaningful relation to the Sun. We can imagine an exact copy of our Sun in a universe by itself, but such a star would no longer be the Sun. Like the eyes, we will surely imagine such a star as the Sun of a missing solar system in exact proportion as we imagine it to be the Sun at all.

So the crucial difference between an arrangement and an aggregate is the order among the elements of the former. This order has a definite ontological status over and above the elements that are ordered. And insofar as the order itself is real and remains at least partly unexplained by the bare elements themselves, the order must have a cause.

A reductionist will tend to jump right to the explanation that the elements in a set can, in principle, be put into a given order by chance. For example suppose I have three Scrabble blocks ‘O,’ ‘G,’ and ‘D.’ I thrown them on the table at random and read roughly from left to right. They happen to read ‘DOG.’—Ah a meaningful word! A message! The reductionist will tend to point out that there are only six possible ordering of these three elements and that two of the six spell words in English. So complete chance leaves us with a rather high one-in-three probability that the pieces will spell a meaningful word. Hence, we need not infer that any guiding hand put the pieces in this order.

While I readily concede that we cannot establish a governing intelligence in all observations of order such as this, I must insist that this line of objection misses the point entirely. In all such cases there still must be an ontological source for the ordering of the Scrabble pieces, even when they do not spell an English word. There must, of course, be an efficient cause for the pieces being there in the first place, being dropped from the hand, and coming to rest in just such a way. Even if this efficient chain of cause and effect were purely random (which it is not), the mechanism of pure randomization itself would be a cause of the ordering that results.

More important than the efficient causes, however, are the set of formal preconditions for such sequence of events—necessary but frequently ignored in such thought experiments: The Scrabble blocks are printed with letters; these letters belong to a set of twenty-six possible letters; some combinations of letters form words in the English language, while others do not; the letters are to be read off roughly left to right; gravity and friction are such that the pieces will come to rest on a flat surface in a mostly stable way.

I leave to the side for the moment the observation that the “Complete Chance Hypothesis” becomes increasingly unlikely as the number of elements and the complexity of the arrangement increases. At the moment, we need only observe that Complete Chance itself can only occur against the background of preexisting structuring conditions.

The Skeptic will surely say, “But the order we currently see in the cosmos arises purely from the meaningless interaction of fundamental particles.” Very well, these interactions are governed by the antecedent laws of physics. “But the laws themselves could be random, merely instantiated in our local universe but variable among an infinite array of alternate universes.” Very well, the arrangement of the laws would then be governed by the antecedent array and variability of universes. “But you still haven’t proven the existence of God.” Very well, I am not here attempting to prove the existence of God, merely the necessity of an ontological source of arrangement, although you are right to fear that this line of thinking may, in the end, subject us all to the possibility of judgment.

With the concepts of both arrangement and source of arrangement in hand we are in a position to clarify the crucial but frequently confused word λόγος and the connection it plays to κόσμος in much of Greek philosophy. The trouble with all introductory discussions of λόγος is that the word can mean so many different things and yet these different meanings are all bound together by a simple core of meaning. While we cannot here explore the full range of these meanings, we may simply note for now that λόγος can mean both the arrangement of elements in relation to one another organized into a whole and the principle or source of this organization.

For example, according to the first sense, we may describe the λόγος of the right triangle with sides measuring three, four, and five. The λόγος is the arrangement of these lengths into a right triangle, and hence, λόγος can frequently be translated as “ratio” or “definition.”

According to the second meaning, we might speak of a seed containing the λόγος of the full grown tree because it preserves within itself the principle of the arrangement which will only come to full fruition later.

This last example provides a potentially useful bridge for the modern imagination. We now know that the λόγος of the full grown tree is encoded by DNA molecules in the seed. Importantly, the DNA λόγος acts as the principle of organization (second sense above) without instantiating the actual arrangement of branches and leaves (first sense). Nevertheless, it “encodes” the necessary “instructions” for building the proteins that will ultimately form these organs into a complete organism. Hence, we might imagine the λόγος of any being as its “DNA,” a kind of inner code accounting for the meaningful arrangement that ultimately comes to fruition.

Thinking of λόγος as the DNA of being also serves to illustrate another important point. While the DNA molecule does not have leaves or branches, it does itself have a complex internal structure. Most importantly, four distinct components (ACGT) are arranged sequentially, and this sequence is just what encodes the “instructions” for building proteins. We appealed to DNA originally as the ontological source for the arrangement of elements in the resultant organism. But does not the DNA itself require a further principle or source according to the same logic since it too is an orderly arrangement of elements? Hence we are involved in a regress—but it need not be a vicious one. The DNA may require a further ordering principle, and this in turn may require another. But this pattern only becomes an endless regress if we hold the principle that every ordering principle must itself be a complex arrangement of elements. This would follow if every ordering principle were a many and not a one. In other words, an infinite regress occurs only so long as we account for order by appealing to a chain of complex λόγοι and discount the possibility of an ultimate, wholly unitary Λόγος.

Every little arrangement, every little κόσμος, then, requires a λόγος, both in the sense of the order of the arrangement itself and in the sense of the principle or source of that order. What then of the All? What if arrangement should prove to be, not merely a feature of the little parts taken separately, but of the Whole? What if the All should prove to be not merely an aggregate of hydrogen and light and gravitational laws, but a Cosmos? In such a case we should look for its Λόγος. We should inquire into the inner logic of its being, the ground and source of its meaningful, intelligible structure. Such an ultimate Λόγος would stand indeed as the final object of inquiry, the fundamental term of thought—at least insofar as our inquiry is bounded by this world and the investigation of its intelligible structure.

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Lyceum, July 28th

Nature ramblings about the Comedy and the limitations of the Greek Tradition, in Dante’s view!

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..once again, to see the stars!

We’ve just finished the last episode of the whole Divine Comedy (Starting with the Paradiso) – to be released next Saturday, August the 1st at 10am UK time! 🎇


..the First Journey is done. And the Guiding Lights are shining bright.

Thanks so much for the companionship and for all the new discoveries! We’ll have more posts and discussions on the second half of the first book in the coming weeks, and on the next Dante Seminar on August the 15th!! 🎉🔥🔥😇

Have a great Sunday! 😀

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